Thursday, July 26, 2007

Adventure Vest Reviews and Links

adventure vest reviews imageThis page is dedicated to online reviews and user reviews of the Adventure Vest. If you would like to add a review, please email us at: jobeth@climaxdigital.com

1. Photo District News Online
(Retrieved July 26th, 2007)

We've seen a lot of photo vests, bags and packs in our day, but here's one that literally has everything. Designed by a photojournalist, Adventure Vest has enough padded pockets to fit a full-sized digital SLR, a 70-200mm lens, a 24-70mm lens, a teleconverter and a variety of accessories. Though carrying all this gear in a nylon vest might sound uncomfortable, reinforced supports in both shoulders help bear and distribute the weight. Since it's made of breathable cordura fabric, Adventure Vest is less likely to get sweaty, even when you do.


2. Rick LePage, MacWorld: PMA Photo Accessories Off the Beaten Path
Retrieved July 26, 2007

adventure vest imageLoren Callahan is a Seattle-based professional photographer who wanted a better vest for carrying around gear, one that would let him get to his cameras and zoom lenses quickly, but which would also not put wear and tear on his back during a long day shooting. After testing a bunch of commercial vests, he decided to make his own, and the Adventure Vest is the result. The $199 vest (only $179 at www.climaxdigital.com) has ample room for a camera body, multiple lenses, and other accessories, and it comes with a built-in seat, to keep you warm and dry when you have to spend a lot of time on the ground. (Loren said he came up with the seat idea after shooting basketball games in an arena where the parquet floor was laid on top of an ice rink, which often resulted in a frozen butt.)

Ben Long and I each tried the Adventure Vest on, loaded it up with a camera and telephoto lenses, and were surprised at how comfortable it was. Even when stuffed to capacity, it felt nowhere near as heavy as a full pack does on my back. The vest is a combination of mesh, neoprene and cordura nylon, and the units we looked at were well-constructed and filled with many thoughtful little details. The flip-down seat is designed to let you rock back in it for support, and it was pretty easy to get in and out of it once you got the hang of it. The seat also doubles as a tripod holder, and you can remove it entirely if you don’t need the bulk.

adventure vest imageWearing a photo vest is an acquired taste. I know some folks who swear by them, while others would prefer to look “less dorky” and schlep their stuff on their back. Having used a couple of vests in the field, I know how good they can be, and just a short walk with Adventure Vest made me want to get one.

Loren recently found a distributor for the vests, which means that they should become available in camera stores over the coming months (he has a “garage full of them” if you can’t wait). A khaki version of the vest is also on the way, for those who don’t want to spend a day in the sun in a black vest.

Friday, July 20, 2007

adventure vest adventure vestAdventure Vest for Photographers - Take Your Camera Anywhere!

The Adventure Vest is a comfortable new way to carry professional photographic equipment. Designed by a photojournalist, Adventure Vest securely carries large and cumbersome photographic equipment including a full size DSLR, 70-200mm, 24-70mm, teleconvertor, and accessories in protected, padded pockets.
adventure vest adventure vestadventure vest adventure vest
Adventure Vest’s unique design distributes the weight of heavy equipment evenly, leaving you with ease of movement, agility, and use of both hands. Adventure Vest is ideal for hiking, biking, skiing, traveling, and event photography. Available in two sizes (M - L & XL - XXL) and constructed of 600 cordura nylon, the rugged Adventure Vest can be custom fit with the tug of a few straps. A fold-down chair is weightlessly incorporated into the Adventure Vest...no more standing long hours for the perfect shot!

adventure vest adventure vestadventure vest adventure vestWhether you are a photojournalist or nature enthusiast the Adventure Vest has been designed to carry all of the photo essentials without the weight and bulk of a conventional bag. The Adventure Vest gives you unbeatable comfort, security, and convenience!

adventure vest adventure vestadventure vest adventure vest Priced at $179, the Adventure Vest is a great investment for those wishing to take their cameras where they haven't been before! Orders are now being taken and shipped from stock.
Place your order today! Go to http://www.climaxdigital.com/ to see the Adventure Vest and the other photographic supplies & equipment offered by your best source for professional digital imaging supplies. Say you saw us on Blogger and get a special free gift! Questions about the Adventure Vest? Email jobeth@climaxdigital.com.

Tuesday, June 12, 2007

Zigview S2 June Promotion - Free Zigview S2 Accessories

Free DSLR camera Zigview accessories from Climax Digital & Argraph Corporation

Argraph Corporation, the international supplier of innovative photographic/imaging products, is offering DSLR camera users a unique opportunity to get free Zigview S2 accessories that can set them free from behind their cameras and enable them to view and shoot their images from virtually any position they choose.

Here’s how it works
Buy a Zigview S2 - the Digital Viewfinder that won the Digital Imaging Marketing Association’s 2007 Innovative Digital Product Award - from a participating retailer (www.climaxdigital.com) during June, and receive a free transceiver cable and shutter release cable, directly from Argraph. The Zigview S2 fits most SLR cameras with dedicated eyepiece adapters and shutter cables.

Free camera accessories
These two amazing accessories enable you to remotely view and fire your camera from up to 5 feet away (even as far as 70 feet with additional extensions). These accessories normally sell for up to $150.00. They are now free with Zigview S2 purchases made in June. Imagine the freedom this will give you to see your subject and fire your camera, getting shots you couldn’t get otherwise. If you shoot news, sports, weddings, or celebrities, now you can put your camera head-and-shoulders above the crowd, see what’s in the frame, and then shoot comfortably right from the palm of your hand.
Nature photographers, set your camera on your tripod, then hide behind a tree or a rock and be ready to fire when the perfect shot appears in your hand. Portrait, fashion and school photographers; move out from behind the camera, walk around, interact with your subjects, and then shoot at the perfect moment. You may never have to spend the day bent over looking through a viewfinder again!

Zigview S2 digital camera accessories
The award-winning Zigview S2 is the world’s first rotating, tilting real-time digital viewfinder for virtually any DSLR (and many film SLRs). It revolutionizes photography with its remote detachable 2.5-inch LCD screen, motion sensor, intervalometer, video output, and more. The Zigview S2 attaches to your camera’s viewfinder and displays a live video feed from the viewfinder to its large 2.5-inch high resolution LCD screen. You can tilt and rotate the LCD for viewing at any angle, including from the front of the camera. This makes low-angle, high-angle, and even self-portraits easier than ever. By adding the extendable transceiver and shutter release cable that are free with this special offer, the viewfinder can now be completely removed from the camera, to remotely view and shoot the image at the same time.

Free camera accessories
The Zigview S2 also features a Motion Detector that fires the camera when anything moves into the field of view, plus a sophisticated Intervalometer that can be set to fire the shutter up to 999,999 times, over a period of up to 999 days with exposure intervals of between ½ second to 99 days, allowing a vast range of creative possibilities. This can be combined, if required, with its timed “BULB” feature which can be accurately set over a wide range enabling photographers to repeatedly control long exposures. Both the Motion Detector and Intervalometer can be started at the push of a button, on a countdown timer, or at a specific time and date with almost limitless shutter applications, making it the ideal accessory for wildlife, nature, security, and macro photography, or any situation where a covert or accurately timed approach is required.



This article was found at: http://www.letsgodigital.org/en/14822/free-slr-camera/ and slightly edited for the purpose avoiding redundancy.

The month of June has already provided many happy Climax Digital Zigview S2 customers with the free accessory promotion and will continue until cancelled by Argraph.
Call today - 800-444-0977 and ask to speak to JoBeth about this offer. Any questions you have can be addressed such as technical information, model choices & shipping options.

Wednesday, April 11, 2007

Harman Inkjet Paper

Climax Digital is now listed as the ONLY online distributor for the Harman Inkjet Matte Fibre Base MP Professional Paper listed on Harman Website! This paper was released for distribution in the U.S. in February. Read the press release.


While we may the the first distributor to be featured on their "where to buy" page, we're sure we won't be the only for long. What we can offer you, however, is competitive pricing and world-class service. As a small family-owned company in East Tennessee, and can offer you personalized support.

Every customer at www.climaxdigital.com and www.climaxphoto.com is treated the same - with respect!

You can call and talk to a real person Monday - Friday, from 9am - 5pm (EST), if you have any questions or need to find out more about our product lines: Harman Inkjet Paper, Epson Paper, Pantone ColorVANTAGE Inks, Photographic Solution's Sensor Swabs & Eclipse Optical Cleaner... See the complete product offerings at Climax Digital at www.climaxdigital.com/sitemap.html.

We are always adding things to our sites, including user reviews and links to articles related our products. If you have any comments you would like to see on either site, call JoBeth at 1-877-900-0977 or email at jobeth@climaxdigital.com

Tuesday, September 12, 2006

Zigview S2

Zigview S2 This press release was found at www.photographyblog.com

We are currently taking pre-orders for this product, from 9/12/06 to 9/30/06. Customers who request this item during this time will receive Free UPS Ground Shipping + Insurance in the Continental US.

Intro 2020 Press Release
Seculine revolutionise DSLR handling with the NEW Zigview S2 Digital Angle Finder, with remote detachable 2½ inch screen, TV output, motion sensor and interval timer. The NEW Zigview S2 attaches to your DSLR viewfinder and displays a live video feed from the viewfinder to its large 2.5 inch high resolution LCD, which can be moved to fully tilt and rotate for viewing at any angle. The new unit has excellent low light properties and a high frame rate which displays a bright live image making it fantastic for low and high angle situations as well as being capable of acting as a waist level finder to improve communication with clients during portrait photography.

Images from the Zigview S2 can also be relayed live to a remote monitor using the TV output, or alternatively with the Remote Video accessory cables/extensions, the screen can be detached from the main unit to view the subject and fire the shutter from a remote location up to 10 meters away. This makes it ideal for use in bird hides, high level photography of properties or any situation where it would be beneficial for the photographer to be placed distance from the camera.

The Zigview S2 also incorporates the same 9 area TTL motion sensor and interval timer facilities from the Zigview R model making it a hugely versatile accessory which can help you to achieve new and exciting images in a whole range of new situations.
Eyepiece adapters and shutter cables are available to fit most DSLR cameras.

Friday, August 11, 2006

Pantone ColorVANTAGE Inks - Introductory Sale!

Pantone ColorVANTAGE Ink Introduction Special

As an introduction to kick off the ColorVANTAGE Line of premium inks we are offering the following:

  1. Buy One Starter Set of ColorVANTAGE ink and get one of the same kit at No Charge (this is for a first-time order only). So, there is no cost to you when converting to new ColorVANTAGE inks.
  2. Free Profile Service. There are hundreds of profiles online for the most popular papers (Epson and non-Epson brand). You can visit the pantone website to download profiles. If a profile is not listed on the Pantone website and you are using Epson drivers, Pantone will work with you to make a profile at No Charge! This service is valued at over $150.00 per profile)
  3. Free Technical Support from Pantone to help set up new inks in Epson printers.
  4. Satisfaction Guaranteed.

Pantone ColorVANTAGE inks have the best of both worlds - the wide color gamut of dye ink with the archival qualities of pigment inks.


Pantone Quality

ColorVANTAGE inks are Pigment Inks
  • More stable and less subject to color shifts than dye inks.
  • Archival quality - lasts longer than EPSON. In accelerated fade tests, ColorVANTAGE help density better and exhibited less color shifts.
  • Water resistant.
  • Revitalize older dye and pigment-based EPSON printers (EPSON Stylus Photo 1270, 1280) with wide gamut ColorVANTAGE inks.

Wide Color Gamut

  • ColorVANTAGE inks have a better gamut than first-generation EPSON pigment inks and EPSON dye inks and a comparable gamut to UltraChrome inks.
  • ColorVANTAGE inks enable deeper color, better shadow detail and higher ink limits.

Substantial Cost Savings

  • ColorVANTAGE Starter Kits cost approximately 20% less than a full set of EPSON inks.

Pigmented Black Inks

  • Black displays truer and more neutral than UltraChrome Inks.

Pantone Support

Optimize Output Results with FREE Profiles

  • Pantone, Inc. has built hundreds of profiles for a variety of printer/media combinations: photo proofing, matte and fine art papers from manufacturers like EPSON, Arches-Infinity, EFI/Best, Mitsubishi, Moab, Premier Art, etc., available for download from the Pantone Web site.
  • Pantone provides free profiling service for supported printers.
  • EPSON provides a very limited number of profiels. You must build you own and that can be expensive.

Technical Support

  • Pantone has a dedicated technical support team to assist with the conversion to ColorVANTAGE inks.

Warranty

  • ColorVANTAGE inks are guaranteed to work with EPSON specifications. ColorVANTAGE inks are chemically and molecularly compatible with EPSON inks to ensure no negative interaction with print heads and zero nozzle clogging.
  • Using ColorVANTAGE inks will not void your printer warranty.

Tuesday, July 18, 2006

How to Clean Your Digital Image Sensor

How to Clean Your Digital Image Sensor

Despite negative press from the Internet community about sites that are "made for AdSense", I found a site that truly provides useful information about cleaning your digital image sensor. This site, UltimateSLR.com, provides links to many article concerning the nitty gritty details of cleaning digital camera sensors. Provided below are two of the same articles, with links to their respective sources, concerning sensor cleaning. Links to where to buy Sensor Swabs & Eclipse Optical Cleaner have been added.

Article #1:
Nikon CCD Cleaning Guide
Nikon CCD Cleaning
by Alexandra Morrison
There comes a time when your Nikon will need a CCD cleaning. If you keep your CCD clean you won’t have to worry about dirty photos. Here’s what I mean: Look at the image below (click in the photo to view a larger image - be prepared to recoil in horror!)











See the spots? That’s sensor grunge! Yep, bits of almost microscopic gunk that get stuck on the CCD surface. These are most visible when you use a small aperture, and can be quite intrusive. Sure you can get rid of them using your image editing software but what a time killer that is. I don’t know about you but I want to spend more time OUTDOORS, not more time on the computer!

Unlike film cameras, where your image is made on a unique segment of film that is exposed once, digital SLRs, make images on a sensor fixed inside the body. Dust and gunk can actually accumulate. So when you remove your lens, it’s like open season for all the particles in the air, to glom on to your CCD! According to some sources, a zoom lens also increases the amount of dust on the sensor and thus the frequency of Nikon CCD cleaning.

This is a critical consideration when you are outdoors in hostile or less than heavenly environments. So many of our great images are the result of environmental anomalies, like grain dust in the air – red sunsets; or moisture – those idyllic dewy summer sunrises – that we’re exposing the most critical part of our camera to these invaders, every time we change a lens!

Fuji offers a very good Guide (PDF file) to cleaning the sensors on their cameras, however, if you are the owner of a Nikon, you may be less inclined to try Nikon CCD Cleaning since Nikon doesn’t recommend this procedure as a “do it yourself” project – at least for North Americans!

But having done CCD cleaning myself, I can say, as intimidating as it sounds in some ways, it’s not difficult, expensive or time consuming.

What helped me: I read Thom Hogan’s excellent article about Nikon CCD Cleaning several times, over a few weeks before I had bolstered my courage enough to give it a try. The thought of damaging my D70, AND the worse thought of having to do without it while it go repaired were soon diminished by the sight of the crud on all my images. I took the plunge, swabbed it clean – and it was FINE!

If you are inclined to clean your sensor, the first thing to do is to see if you really have bad dust on the CCD. First, clean your lens, and your camera filters. Then... Take a photo of a clear blue sky, or a plain painted wall, at f22 or so. Open it in Photoshop, and click on
Image > Adjust >Autolevels. Do you see spots before your eyes?




I like to zoom in a little but I was still shocked at my results. If your CCD test image looks this bad read Thom's article before you do any Nikon CCD cleaning.

Here's the link again.
Then get the Fuji Guide (PDF file)

Then get the Right Stuff: I used Sensor Swabs – a highly reputable CCD cleaning tool, and Eclipse Optic Cleaning fluid. The Swabs are like jumbo q-tips on steroids! There is also specific model of swabs for Nikons. Make sure you get this size Type 2 – they have been designed to fit exactly in the sensor chamber, so you don’t need to make multiple passes accross the sensitive sensor surface (saying that is more difficult then the cleaning itself!) I’m in Canada and when I searched on-line for suppliers most US companies won’t ship the fluid out of the country, so you should look locally for suppliers.

Note: ClimaxDigital is an online Photographic Solutions retailer and will ship almost anywere in the world.

And now the Mandatory Disclaimer: I have to repeat that Nikon doesn’t recommend North Americans and probably Europeans do this procedure. Only in Japan is it recommended! So clean at your own risk.
Despite the simplicity of the Nikon CCD cleaning process, there is always the possibility that something could go wrong. If the dirt is really bad or you just don't want to take the risk, you can send your D70 to Nikon for service. They'll clean it and make sure it gets back to normal.


Article #2:
Digital Camera Sensor Cleaning
Eclipse Lens Cleaner and Sensor Swabs
Dec, 02 2004 - 02:05

Information from the Manufacturer, Photographic Solutions:

ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can be applied leaving absolutely no residue. When used with PEC*PAD photo wipes, it is possible to clean only the portion of lens which is dirty eliminating "hazy swirls". Dispense several drops onto a clean, folded PEC*PAD and lightly wipe surface in a single direction. Refold pad to expose a clean side and re-wipe as necessary. Each box contains a 59 ml. (2 fl. oz.) bottle with dropper applicator and 10 sheets of the PEC*PAD photo wipes. Sensor Swabs™ are designed for cleaning CCD chips and other delicate or hard to reach optical and imaging surfaces. Clean room manufactured and sealed, these swabs are the ultimate in purity.

Actual User Review

Single Lens Reflex (DSLR) users, have you ever been plagued by sky cooties, UFO’s, or other undesirables imbedded in your digital images?

Unless you are attempting to convince the Federal Government that alien space travel exists, the specks and blobs are not welcome. From the number of people I have spoken with, a dirty sensor is not an uncommon situation. So let me inquire, have you had the pleasure of cleaning your camera sensor?

If you don't know if your sensor is clean, and want to check it, here is how: Put a lens on your camera, set focus to infinity, set exposure compensation to +1, set the aperture to its smallest value (largest number), at least f22, f32 if you have it. Point the camera toward a uniformly illuminated target, such as a white wall, a piece of matt board, or even the sidewalk and take a shot. Down load and look at the image. Do you see dark spots? If so, you have dust. At wider apertures the dust specs will be much less visible. At f11 they may be very faint and at f8 or wider apertures they may be undetectable.

Now comes the problem. If you're the sort of person who looks for dust, you're likely the sort of person who will be troubled by dust and want to remove it. Here is where things could get a little tricky. And here are your choices.Your first option is, that you can send the camera back to the manufacturer or to your favorite repair shop. It will probably cost you $50, or more and you will most likely be without your camera for a week or two. There is a good chance it will come back dust free and then again there is just as good of a chance it will come back with just less dust and maybe still have a speck or two. Remember you may have to repeat this action weekly, so what do you do?

From my “Real Men Don’t Ask For Directions” file, please read the camera manual first. Contrary to the opinion of some people I have spoken with; switching the camera to the sensor-cleaning mode, does not accomplish the cleaning operation automatically! (With the exception of the Olympus E-1) This is an important manually accomplished step and a delicate procedure. Second, obtain the following products to accomplish the job.

A. a bottle of Eclipse Optic Cleaning Solution.
B. a packet of Sensor Cleaning Swabs, which are available in three sizes to fit the sensor size of your need. Be careful NOT to remove the polyethylene dust cover from the swab until the last second before use.
C. a Kinetronics “Speckgrabber” pro kit (which contains three speck grabbers, a handle, grabber cleaning solution and cleaner cloth).

Third, in a clean and dust free environment, connect up the camera to the AC power unit. The continuous AC power is to prevent shutter blade damage by a premature shutter closing due to battery failure. Unofficially, I have heard from a Canon technical representative that in the field only a fully charged battery will do in replacement of AC power (so on a river trip you may have to carry three or four fully charged batterires to ensure a spare for cleaning). A blown shutter is interesting to see, but much too expensive to replace. Fourth, wipe the camera clean with a dust free cloth and follow your camera’s instructions for opening the shutter and exposing the sensor for cleaning. Fifth, clean the sensor.

Note: Do not use any sort of "canned air" for this. Canned air is too powerful and the types that are liquid driven will "spit" liquid trapped in the gas stream on to the sensor and if that happens you can wave bye-bye to your sensor. They may also freeze the sensor, which again will result in damage. Moving forward, if there are particles large enough to see with the unaided eye, use a speckgrabber to remove them first. Then unwrap a swab and apply several drops of the cleaning solution, followed by gently wiping the swab across the sensor from left to right. Use a speckgrabber to pick up all debris along the right side of the sensor (the swept to side). Apply more solution to the second side of the same swab and wipe in the same direction as before, from left to right to remove any residual from the grabber and dispose of swab.

  • Do Not be tempted to conserve by reusing a potentially scratchy or dirty swab.
  • Do Not go back and forth across the sensor and chance redistributing particles back onto the sensor.
  • Check visually for debris.
  • Repeat if necessary. If the sensor looks clean, close the shutter and proceed with the quick test that follows.
Replace the lens onto the camera body and photograph the same test target as discussed above. Down load the image into the computer. Enlarge the test image and visually scan the screen for any sign of sensor contamination. Repeat the joy of cleaning, if necessary. A contaminated sensor presents a real world problem within your digital workflow. At worst it could shut down a photo session until you could return to a clean, dust free area with AC power. Since the cleaning procedure is difficult to carry out while on assignment or in the field, if I may be so bold, I will offer a little tried and true preventative advice. Camera sensors are terrific electro-magnets, so keep the body cap on the camera as long as possible. Avoid changing lenses into the wind. Wipe the camera and lenses down often with an anti-static cloth, like the orange Ilford Antistatic type.
Keep your camera bag vacuumed out and lid closed as much as possible, especially in the field. If you do get contaminates on the sensor in the field, try this emergency maneuver. With a very clean blower type ear syringe in hand, set the camera to a fifteen second time exposure (not so long that dust re-inhabits the space). Hold the camera aloft, so by gravity, any debris will fall out. Fire the shutter and puff the blower brush about the sensor, no deeper into the camera than the lens-mounting ring being careful to not allow damage to occur from the syringe being trapped by the shutter. With great care during this operation, I have been able to clean the sensor well enough to continue shooting.

Officially speaking, I have to recommend that you send your camera back to the manufacturer for cleaning. Is that enough of a disclaimer?

May all of your adventures be exciting, your pictures beautiful and you - successful.
Eclipse Cleaning Solution and Sensor Swabs.
Kinetronics Speck Grabber Kit.
From askRodger@pictureline.com

Article #3
Cleaning the Sensor/CCD

It's an inescapable fact of life that dust will eventually plague your digital images .. and life's just too short to fritter it away cloning out dust spots from your images.
It's much easier, (though more nerve-wracking), to clean the digital sensor of your camera.
You have two choices ..
Using the Mirror Lock-Up option in the Set-Up Menu, but for this you would need one of the Nikon AC Adapters for your camera, such as the Nikon EH-5 AC Adapter for the D100. This costs you extra money, and you also risk the mirror and shutter coming down while you're cleaning the CCD should there be a power interruption. (Unless you invest in a Uninterruptible Power Supply.)

I had an unfortunate event where for some reason the shutter of my one D100 body closed on the Pec-Pad I was using to clean the CCD with, and the shutter curtain popped out of its rail. I managed to flex it back in again and fortunately the shutter curtain was undamaged and had no kinks in it. That D100 has since worked without a problem for the past year .. but this is the reason I sold my EH-5 adapter, and settled for the following method of cleaning my CCD ..

You can set your camera to Manual mode and to a shutter speed of 30 seconds, and then be very careful that you take much less than 30 seconds at a time while cleaning your CCD. If not, then the mirror and shutter curtain is going to come down on your sensor swabs.This option isn't ideal either - you need to be very careful and clean your CCD with a series of actions where you trip the shutter and proceed to clean the CCD in much less than 30 seconds, and repeat this until you're done. Alternately, you can set your camera to Bulb and lock the shutter with a remote release. This will give you all the time you need to clean your CCD, unless there is a glitch and the electronic release malfunctions or the mechanical release slips .. it might be a costly way of doing it. ;-)

What I use to clean my CCD ..

I use CO2 gas cannisters from American Recorder Technologies to blow dust off my CCD. The CO2 cannisters supposedly don't contain any propellant or impurities that could make marks on my CCD, but I've had problems with some kind of oily (?) residue being sprayed onto my lenses or CCD when I use these cannisters at full blast when they're still full. So be advised to be careful anyway.

For stubborn dust spots that won't come off with a gentle blast of air, I also use Eclipse Cleaning Kit, which contains cleaning fluid and Pec Pads. This is manufactured by Photographic Solutions, which also makes Sensor Swabs. The swabs and pads are non-abrasive and lint-free.
I have tried a Spec Grabber tool, but only ended up leaving streaks on my CCD, which I then had to carefully get rid of with the Eclipse Cleaning Kit.
More info on cleaning your camera's CCD:

Cleaning your CCD - Thom Hogan
Cleaning the image sensor - Ultimate SLR Resource Site
The Pixel Sweeper
Please feel free to e-mail me.
Neil van Niekerk

politically incorrect / technically correct ..
The dust is actually on the Anti-Aliasing Filter over the sensor, and not on the sensor itself. This filter in the D100 is closer to the sensor than it is to the CMOS sensor of the Canon 10D, which is why the Nikon D100 shows up dust spots more readily than the Canon 10D. And just as an aside, the CCD doesn't attract more dust than a CMOS device would. It's a myth that the CCD creates a static charge that attracts dust.

Also, most people insist that you should turn the camera to face down when you mount lenses to avoid dust falling into the mirror chamber. Good advice that might just be pointless if the rear element of the lens that you're mounting, has dust particles on it. Besides .. dust floats. In the end your lens will get into the mirror chamber anyway.